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PHOTOGRAPHY TIPS AND TRICKS


Article: Which Lens Should I Use?
Submitted by Mary Ann Schneller
Uploaded: 10/06/2008


Ira "The Answer Man" Schneller and His Articles

Club member Ira Schneller has graciously agreed to supply highly informative and sometines entertaining material from his Answer Man newsletter columns for this space on our website. Just in time for catching the fall foliage, his first column is entitled "A Feast of Color" with tips for making the best of your photographic outings.

We will add more columns as they are received and eventually group them by topic. In the meantime, they will simply be listed on this page, which you can use as an index; click on the links below to go to the listed topics.

If you would also like to post a tip to this website, please contact the webmaster. It can be as short or long as you like, and can include graphic examples, including photos.

INDEX OF IRA SCHNELLER'S ARTICLES

Getting the most from RAW.
RAW is an extremely important tool for the digital photographer, however.  There are three reasons why photographers should use it, I believe: they like processing images; they find limitations, causing them problems when shooting JPEG; and they need the increased flexibility RAW offers.  RAW shouldn’t be an automatic format to use because another photographer says so—that can lead to frustration in the time spent at the computer and when working with the RAW converter.


Photographing in the Snow.
Winter arrives all too soon in many parts of our country.  Leaves drop from trees, frost outlines bare branches, lakes and ponds freeze over, and we see the season’s first snowfall as photographers pack up their cameras and gear until next year.

But wait! Snow makes winter a perfect time for photographers to head outdoors.


Getting Out and About.
Many amateur photographers, interested in photographic techniques and enamored of equipment, nevertheless feel some measure of uneasiness over just what they ought to shoot.  There exists a sort of agreement by concensus that certain things make better pictures than others; the World, by this means, is reduced to a series of categories.  You’ve got your landscapes, still lifes, portraits, and so forth.


RUT BUSTING: Beat the photographic doldrums—try these tips to help rekindle your creativity.
It’s not a word nature photographers use in polite company.  It’s our dirty little three-letter word—never spoken, hardly thought.  The word?  Rut, as in, “I’m in a rut”; “You’re in a rut”; and “Help!  I’ve fallen and I can’t get out of my rut!”


Using Polarizing and UV Filters Properly.
In many ways, I still photograph like a film photographer.  I try to think how I did it back in the days before digital.  Trying to create an image in the camera on slide and print film without being able to see it immediately afterward was challenging.


Autofocus Tips and Tricks.
A full 15 years have passed since the first commercially viable autofocus SLR was introduced (the Maxxum 7000) and the technology has improved significantly since then. Even so, some photographers consider AF suitable only for snapshooting. Others insist that even the best systems are far from reliable. They relate stories of missed opportunities while the AF system hunted for focus in low light or set focus for an inappropriate subject area. If you’re not fully satisfied with the AF performance of your camera, this article is designed to help you and answer some questions.


Adapt Your Equipment to Your Expertise.
When someone asks me what equipment I recommend, I always ask, “What do you want to do?” Knowing how you will use the equipment helps me narrow my recommendations. Each subject you photograph requires special tools to get the job done right.


Workshop Retrospect – The Fast Track to Effective Learning.
Some important things Ira has learned at workshops that have improved his images, such as how to control depth of field, macro techniques, tonal control, and capturing "the definitive moment".


Avoiding Dumb Mistakes.
From leaving your bag or backpack unzipped to forgetting extra batteries or shooting with film or cards, this column advises us how to avoid common dumb mistakes smart photographers sometimes make.


The "Outdoor" Classroom.
It's well known that you can't learn photography just by reading about it. Here Ira describes some important things you can learn just by watching an advanced photographer in the field.


Abstractions: A look at Photography as Art.
At the simplest level, abstractions are portions of larger scenes that have been distilled down to the type of individual design elements used in abstract art.


Designs In Nature.
Find your way to becoming a better photographer by finding a photograph in everyday situations—no matter how unlikely.


Seven Deadly Fears.
Ira identifies the inner fears many photographers encounter that can keep them from practicing their craft or marketing their work and suggests ways to overcome them.


Great Images Close to Home.
See why Franz Lanting said, “You can’t expect to do well in Africa or any other exotic location until you’ve mastered your own backyard.”


Wildflower Photography.
Learn how to control all of the elements that you need to successfully photograph wildlife flowers.


Creativity Killers.
Things photographers say or think that keep them from making their best images.


Background Check.
How to use backgrounds to help create stunning images.


Winter Photography Tips


Nine Important Photo Tips


Recommendations by renowned photographer Douglas Kirkland
(particularly for photographiers in the digital age)


"A Feast of Color"


"My Camera Isn't Good Enough"


"Exposure - Remedies"